22 (1868) Camille Saint-Sa. Microsoft Word - Saint-Saens Pno Con No. These pages contain program notes written for Redwood Symphony. You are free to use the information in your own program notes. If you quote me directly, please attribute it. Program Notes; Telemann, Mozart, Saint-Saens. A Tempo giusto Presto Moderato Bassoon Concerto in B-flat Major . Basson with piano accompaniment Op. Max Derrickson. Camille Saint- Saens (1. Piano Concerto No. Presto. The prolific Camille Saint- Saens might well be considered the Professor Emeritus of French music. Saint-Saens “Organ Symphony” Program Notes. As a piano virtuoso, Saint-Sa 2 by Camille Saint-Sa. Cello Concerto No.1, Op.33 (Saint-Sa. Notes Pages straightened. The combined sounds of orchestra and organ give this program an awesome foundation! Gianandrea Noseda leads the Saint-Sa. He composed his Piano Concerto No. In one the left hand plays a series of notes that are colored by the. Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, cymbals, strings. Duration: 24 minutes in three movements. THE COMPOSER – CAMILLE SAINT-SA Camille Saint- Sa. It was dedicated to Madame A. The capricious changes in style provoked Zygmunt Stojowski to quip that it . Normally, the first movement is fast- paced, while the second is slower, but the first movement here is slow and the second movement has a scherzo- like quality, resulting in a form resembling a typical symphony but lacking the first movement (a form also represented by Beethoven's fourteenth piano sonata). The concerto is scored for solo piano, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, crash cymbals and strings. The movements in the concerto are: Andante sostenuto (in G minor & sonata form). The concerto begins with a piano solo playing a long improvisational introduction in the style of a Bachfantasia. After the orchestra enters, the restless and melancholy first theme is played, again by the piano solo. A brief second theme appears, followed by a middle section of increasing degrees of animato. The main theme is recapitulated fortissimo and the soloist is given a long ad libitumcadenza. The Bach- like opening motif returns in the coda. Allegro scherzando (in E- flat major & sonata form). The second movement is in E- flat major and, instead of being a typical adagio, resembles a scherzo. The mercurial piano part is marked leggieramente, and the two main themes are clever and light- hearted. The energetic, delicate personality of this particular movement is characteristic of Saint- Sa. Like the preceding movement, it moves quickly; this time the form is an extremely fast, fiery tarantella in sonata form, featuring a strong triplet figure. At presto speed, the orchestra and soloist rush tumultuously along, gaining volume and momentum and finishing in a whirlwind of G minor arpeggios.
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